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Attack of The
Teletubbies
Toddlers
targets of English
pop culture invasion

By Gerry Bowler
Special to ChristianWeek
Todays pop
culture quiz: What do toddlers, trendy gays, drugged-out
teens, highly stressed businessmen and PBS executives
have in common? Answer: they are all fans of the latest
phenomenon in childrens television, The
Teletubbies.
The Teletubbies
(Tinky Winky, Po, Laa-Laa and Dipsy) are
brightly-colored, child-shaped creatures who sport
antennae on their heads and televisions on their tummies.
They inhabit a grassy landscape full of cuddly bunnies,
whirling windmills and talking flowers, overseen by a sun
with the face of a baby and an obliging vacuum cleaner
named Noo Noo. They frolic, fall over, sing, dance, watch
video clips on their stomachs and talk in a kind of baby
talk that makes Barney the Dinosaur sound like an
Athenian orator in comparison. This is a gentle world,
where there are no adults and where things happen slowly
and repetitively; there is none of the continuously
startling, jolts-per-second approach that marks some of
the segments seen, for instance, on Sesame Street.
The Teletubbies
is a recent import from Britain where the show, aimed at
one- to four-year-olds, has attracted an audience in the
millions and a host of critics as well. Its appearance on
North American screens has rekindled the controversies
that the show engendered when it first appeared on the
BBC.
Supporters
and critics
Those who support
the show assert that it is the first
"age-appropriate" program for very young
viewers and they make some spectacular claims for its
objectives. Teletubbies will, according to PBS,
promote a sense of humor, affection and movement,
reinforce speech, encourage listening, increase
confidence and self-esteem while celebrating
individuality and ethnic diversity. The show will also
encourage a child to feel comfortable in a
technologically rich environment, enhance cognitive
functions and prepare them for success when they
eventually attend school. The slow pace, baby language
and repetition will suit the target audience, which might
otherwise be confused and frustrated by faster-paced,
louder childrens programming.
Critics of the
show are many. Some argue that the Tubbies invented
"emergent" language will slow the acquisition
of standard English; others fear that the Teletubbie
marketing machine will colonize even younger children
than the age groups cultivated by Barney, Elmo and other
"tele-educational" figures. More notoriety has
resulted from the fact that Tinky Winky, with his male
voice and cherished red purse, has become a gay icon, and
that the sets surreal atmosphere and bright colors
have made the show a hit with drug-using teens (as well
as with older viewers simply seeking relief from the
stresses of adult life).
A
better way
There is no doubt
that the Tubbies are sweet little things and that the
program has an eerie kind of other-wordly charm, but the
last thing a one-year-old child needs is a television
program designed to enhance her cognitive functions. It
may have escaped the notice of television executives, but
the human race managed to produce the likes of Socrates,
Shakespeare, Mozart and Einstein long before the
invention of the cathode-ray projection tube, a device
whose contribution to education is rivaled only by the
destruction of the Library of Alexandria.
Attention,
parents! The television is a marvelous thing. It can
entertain us, amuse us and sell us stuffbut it is a
lousy educator. It cannot present information in the
depth that a printed page can and the shallow data that
we get from the TV is forgotten far more quickly than
those things we read or experience. It makes us drowsy,
passive and (if watched too much by children) obese.
If you truly want
to enhance your childs cognition talk to him, read
to him. If you want to encourage affection in your child,
hug her. If you want to promote movement, run and play
together. So care-givers: put down the channel changer.
Slowly now. Pick up the baby and move away from the
screen. Thats it. Turn off the TV and no one will
get hurt.
Gerry Bowler is a
Winnipeg writer and historian.
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